gehring (West Germany)

70s, Worsted Yarn, Tricolor Ribbed Trim, Ivy League

$75.00


: M
: White

Engineered in fine-gauge wool blend with intarsia trim and loop-linked seams, the vest balances Ivy prep codes with postwar European textile logic.

Gehring Création’s sleeveless tennis sweater vest stands as a distilled expression of continental refinement fused with British sporting heritage, encapsulating the broader evolution of postwar European knitwear. The label—likely rooted in West Germany or Austria—carved its niche by elevating classic menswear silhouettes through industrial precision and restrained elegance. While not situated within luxury fashion circles, Gehring Création’s legacy resides in its capacity to reinterpret heritage sport knits—cricket vests, tennis pullovers, and sleeveless sweaters—into mass-prestige staples for the aspirational middle class. These garments bridged athletic tradition with sartorial decorum, reflecting a cultural shift wherein leisurewear was no longer confined to the courts but integrated into the everyday wardrobes of urban professionals and university elites. Positioned squarely within the 1970s–1980s resurgence of flatbed machine knitting and synthetic yarn integration, this vest embodies both technical clarity and cultural nuance. Constructed using flatbed weft knitting machinery, the vest employs a single jersey base knit throughout the body with integrated 1×1 or 2×2 ribbed trim at the neckline, armholes, and hem. The panels are fully fashioned—shaped at the armholes and shoulder slope via needle transfer and stitch-count reduction—then assembled through linking, yielding flat seams with minimal bulk. The neckline’s deep V is a feat of technical coordination, shaped with short rows and directional pivoting to maintain uninterrupted striping at the apex—a notoriously complex maneuver that avoids distortion or gapping. The rib trim across all openings features engineered tricolor striping—red, white, and navy—executed seamlessly within the knit process, not applied or embroidered post-production. This precision suggests either intarsia or advanced fair isle execution during the rib phase, with each color change loop-integrated rather than floated across the reverse. The silhouette is minimal and classic: an elongated torso with straight side seams, moderate armhole depth, and a wide hem rib that anchors the garment structurally. There are no darts or external shaping devices; fit is determined solely by tension calibration and stitch distribution. The neckline, moderately plunging and V-shaped, invites layered styling—over polos, shirting, or lightweight blouses—while the absence of sleeves enables layering without bulk. The armholes are treated with identical rib finishing as the neckline and hem, maintaining trim consistency across the garment. These rib zones are knit at tighter gauges, utilizing high-torque yarns to ensure negative ease, elasticity, and tension retention. The result is a crisp frame around the softer body fabric, both aesthetically and functionally reinforcing the silhouette. The yarn itself is likely a medium-weight wool or wool-acrylic blend, identified by its subtle loft, matte finish, and fine haloing. It exhibits low pilling, dimensional stability, and excellent recovery—indicators of staple-length control and high-quality spinning. The jersey base is tight and even, offering clean stitch definition and structured drape, with a GSM estimated between 220–260, appropriate for transitional seasons. The ribs behave with resilient elasticity, their alternating knit-purl columns reinforcing edge integrity without the need for supplementary interfacing. Throughout, the stitchwork is uniform and taut, displaying no rolling at the hem or neckline—further evidence of exacting tension control. From a knitwear technician’s perspective, the garment is exemplary in its structural execution and motif clarity. The intarsia striping is flawlessly aligned across opposing rib panels, the transition between body and trim is free of torque or puckering, and the linking joins are smooth and discreet. The logic is elegant in its economy: symmetrical panel shaping, zero darting, and a knit block that prioritizes universality and repeatable precision. The pattern schema ensures ease of manufacturing while producing a garment that adheres to traditional menswear proportioning, albeit subtly feminized through fabric choice and finish. Conceptually, the piece references the gentleman-athlete archetype, evoking the cultivated leisure of cricket matches and university greens. The use of nationalistic tricolor striping suggests institutional affiliation or clubwear lineage, connecting the vest to rowing, rugby, or lawn tennis cultures. It is not a garment of flamboyant statement but of relational context—designed to interface with a wardrobe of semi-formal or active garments, conveying discipline, taste, and belonging. Its visual language—deep V, clean lines, balanced proportions—draws on neoclassical aesthetics as much as it does sporting utility, producing a garment that elongates the torso and invites compositional layering. Historically, this vest aligns with the late 1970s to early 1980s moment in continental fashion when preppy codes were absorbed and repurposed for European markets. As French and German brands capitalized on the nostalgia for British refinement and Ivy League iconography, such vests proliferated—sold in department stores, catalogues, and club outfitters as aspirational casualwear. The design’s roots extend back to Edwardian cricket sweaters and mid-century tennis kits, though this version eschews cable knits or heavy wool in favor of a sleek, mid-weight jersey with ribbed clarity. In today’s market, the vest’s enduring relevance is evident in the repeated revival of prep-sport silhouettes by designers such as Thom Browne, Aimé Leon Dore, and Gucci—each of whom has mined this visual vernacular for its semiotic potency. As vintage, the garment serves as both styling artifact and design blueprint, offering editorial versatility and archival significance. Its tricolor motif, deep neckline, and clean block construction make it ideal for collectors, luxury resellers, or designers seeking to reinterpret heritage sportswear with contemporary nuance. Ultimately, this Gehring Création vest stands as a refined, technically articulate piece—understated yet deeply coded—a garment whose simplicity belies its manufacturing precision and cultural resonance.

Measurements (cm)
Chest: 36
Length: 63
Shoulder: 34

Size Conversion (approximate)
US Women’s Size: M
EU Women’s Size: 338

SKU: 004100

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70s, Worsted Yarn, Tricolor Ribbed Trim, Ivy League
70s, Worsted Yarn, Tricolor Ribbed Trim, Ivy League
70s, Worsted Yarn, Tricolor Ribbed Trim, Ivy League
70s, Worsted Yarn, Tricolor Ribbed Trim, Ivy League
70s, Worsted Yarn, Tricolor Ribbed Trim, Ivy League
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