70s Diamond Lattice Brushed Yarn Batwing Sweater

Origin: Austria



70s Vintage (mint condition)

Fabric: Knit

Composition: Polyacryl

Measurements (cm)

Length: 58

Shoulder: 38

Sleeve: 42

SKU: 004246

This mock-neck batwing-sleeved sweater is a masterful example of knitwear that blends heritage craftsmanship with modern refinement. Defined by its textured diamond lattice pattern, the design recalls mid-20th-century silhouettes while incorporating a contemporary elegance through its soft pastel blue hue and clean, sculptural lines. The garment balances utilitarian comfort with sophisticated details, making it a versatile piece suited for both casual and semi-formal occasions. Although the designer remains unidentified due to the lack of visible branding, the sweater’s meticulous knit pattern and carefully considered proportions suggest European origins, possibly from a brand with a focus on artisanal knitwear traditions. The structured batwing silhouette, paired with the tactile texture of the diamond lattice, reflects an aesthetic aligned with luxury labels like Pringle of Scotland or Missoni, known for their innovative use of texture and timeless designs. This garment speaks to a heritage rooted in craftsmanship, elevated by its minimalist yet bold execution. The sweater is constructed using flat-knitting techniques, with precise tension control that ensures uniformity across the intricate diamond lattice pattern. This raised and recessed texture is achieved through knit-and-purl combinations, possibly incorporating tuck or slip stitches for a three-dimensional effect. The result is a quilted, geometric motif that evokes refinement and structure, reminiscent of basket-weave or trellis patterns often associated with traditional knitwear. The knit fabric appears to be a blend of natural fibers, such as cotton or viscose, and synthetic fibers like polyamide or polyester, balancing softness, lightweight comfort, and resilience. The slightly brushed finish enhances the yarn’s tactile appeal, while its subtle sheen suggests the presence of synthetic elements. The batwing construction is thoughtfully designed to create a voluminous upper body that tapers into a snug waistband and ribbed cuffs, providing a flattering drape and ease of movement. The sweater’s dropped shoulders and minimal seaming emphasize its relaxed yet sculptural silhouette, with the continuous diamond lattice pattern aligning perfectly across the panels—a testament to expert craftsmanship. The mock turtleneck, complemented by a discreet rear zipper, adds functionality and a streamlined finish while maintaining the garment’s elegant simplicity. The yarn itself, likely a light worsted or sport weight blend, features a marl effect that subtly enhances the texture without overwhelming the design. The structural integrity of the knit is further supported by ribbed trims at the neckline, cuffs, and hem, ensuring elasticity and durability. The high neckline provides warmth and a polished appearance, while the wide batwing sleeves tapering into ribbed cuffs create a harmonious balance between volume and structure. Historically, this design draws inspiration from late 1980s to early 1990s fashion, a period that embraced oversized knitwear, pastel tones, and textured patterns. The diamond lattice echoes elements of Guernsey fisherman sweaters, Aran cables, and Nordic geometric knits, all of which prioritize durability and aesthetic balance. Additionally, the pattern’s architectural precision and tessellation-like quality suggest influences from Italian knitting techniques such as “punto a treccia,” where structure and dimension are key. Textile mills like Zegna Baruffa, Loro Piana, and Todd & Duncan—renowned for their fine yarns and intricate knits—align closely with the premium quality and design ethos reflected in this garment. The sweater’s pale blue hue adds to its contemporary relevance, exuding tranquility and sophistication while offering versatile styling options. It bridges mid-century modernism with modern minimalism, appealing to individuals who value both heritage and innovation in their wardrobe choices. The oversized silhouette, enhanced by its dimensional texture, taps into current trends celebrating artisanal craftsmanship and tactile design, ensuring its place in today’s knitwear revival. In its final assessment, this sweater represents a seamless blend of traditional and contemporary knitwear. Its intricate lattice pattern, precise construction, and premium material composition highlight its status as a luxurious and versatile piece. The voluminous batwing sleeves paired with a cinched waist create a balanced silhouette that flatters various body types, while the soft pastel palette ensures timeless appeal. Its ability to merge heritage-inspired motifs with modern functionality makes it a standout item in both vintage collections and contemporary fashion, appealing to collectors and style-conscious individuals seeking unique, high-quality knitwear.

The batwing sweater in soft powder blue, featuring a geometric diamond lattice texture, is an interplay of structure and fluidity, where textile manipulation dictates both form and movement. Niccolo Pasqualetti’s design philosophy, centered on sculptural minimalism and organic structure, aligns with the exaggerated batwing sleeves that shift traditional knitwear silhouettes into something more architectural. The calculated balance between volume and containment in the cinched waist mirrors Pasqualetti’s emphasis on controlled shape. Tsatsas, known for precision in materiality and form, resonates in the way the brushed yarn elevates a familiar knit structure into something tactile and evocative, where softness becomes an element of design rather than a secondary feature. Masahiromaruyama’s approach to deconstruction and asymmetry is subtly reflected in how the raised lattice weave alters the surface of the fabric, creating a three-dimensional effect that introduces an irregularity within an otherwise symmetrical pattern. The sweater plays with movement in a way that echoes Tao Comme Des Garçons’ explorations of fabric as a sculptural medium, where textile structure dictates silhouette. Manzoni 24’s dedication to understated luxury and high-end knitwear construction finds a parallel in the meticulous execution of the fabric, where the plush, brushed yarn lends a refined finish to an otherwise experimental shape. Lu’u Dan’s reinterpretation of tailoring through gender-fluid, oversized shapes mirrors the sweater’s nontraditional batwing construction, where the relaxed, elongated arms create a silhouette that feels both bold and effortless. EGONlab’s intersection of classic menswear codes and contemporary subversion is evident in the sweater’s structured high neckline and zip-back closure, adding a rigid contrast to the organic fluidity of the sleeves. Kanghyuk’s industrial design influence, typically seen in its deconstructed outerwear, finds an unexpected echo in the grid-like structure of the knit pattern, where geometric repetition suggests a sense of mechanical precision despite the sweater’s softness. CFCL’s computational approach to knitwear design aligns with the sweater’s seamless transition between its raised texture and smooth ribbing, where fabric construction becomes an intrinsic part of the visual language rather than just a decorative element. Cmmn Swdn’s signature relaxed tailoring, which often distorts proportions while maintaining a sense of structure, is present in how the batwing sleeves contrast against the fitted cuffs and waist, ensuring that volume remains intentional rather than excessive. Jieda’s approach to minimalism through considered fabric manipulation aligns with the restrained color palette and subtle shifts in texture, where the blue monochrome emphasizes form rather than print or embellishment. Omar Afridi’s architectural sensibility, often reflected in draped outerwear, connects with the way the sweater moves, allowing the fabric to dictate its silhouette rather than relying on seams or external shaping. TAAKK’s deep textile experimentation mirrors the innovative knit structure of this piece, where the diamond lattice is not simply a surface detail but an integrated element of the garment’s overall composition. Sulvam’s raw, slightly undone aesthetic finds a counterpart in the brushed yarn, which adds a slightly lived-in quality to an otherwise structured piece. Maison Mihara Yasuhiro’s signature play with exaggerated proportions and experimental knit techniques aligns with the sweater’s unconventional sleeve structure, where familiar knitwear tropes are subtly distorted to create something new. Nozomi Ishiguro’s avant-garde textile experiments and reinterpretations of classic silhouettes through fabric manipulation are particularly evident in the way the sweater simultaneously adheres to vintage knitwear codes while pushing their boundaries. The raised geometric structure, combined with the exaggerated sleeve shape, transforms it from a simple pullover into a sculptural statement. This garment functions as both an object of comfort and an exercise in knitwear as an architectural form, effortlessly bridging tactile familiarity with experimental design. It aligns with designers who see fabric as more than just a medium—it becomes a language in itself, where construction, texture, and proportion redefine what knitwear can be.